It was merely depicted as a symbol. Numerous "Shuihu Dramas" emerged from the Yuan poetic drama era,when Li kui’s image was swiftly enriched and pictured as a comic greenwood hero with a mixture of audacious,cautious,vulgar and refined personality.
元代之前的李逵形象描写太不突出,只是个符号,元杂剧时代大量的水浒戏诞生,李逵形象迅速丰富起来,成为莽细兼备,粗雅合一的喜剧性绿林英雄,个性多样,甚至相互矛盾。
参考来源 - 论元代“水浒戏”之李逵形象·2,447,543篇论文数据，部分数据来源于NoteExpress
The entrance poetry is an important component of the Yuan Poetic Drama.
上场诗是元杂剧重要的戏剧要件。
The characterization of the Three Kingdoms plays in the Yuan poetic drama represents the particular cultural psychology of the Yuan scholars and the aesthetic ideal of dramatic characterization.
元杂剧三国戏的人物形象塑造中寄寓着元代士人的独特文化心理与人物美学理想。
The yuan Dynastys poetic drama "Qian-nu s Soul Fleeing with Her Lover" and the Ming legend "Peony Pavilion" have many points in common.
元杂剧《倩女离魂》和明传奇《牡丹亭》，有许多相同的地方，最突出的是借灵魂意象来实现女主人公对礼教的叛逆和对爱情的追求。
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